United States Air Force Academy

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Dr. Andrea Trocha-Van Nort

Professor of English & Fine Arts

Department of English & Fine Arts

Contact Information

(719) 333-1894

Email

Education

Bachelor of Arts, University of Oklahoma

Bachelor of Arts, Master of Arts, and PhD, Université Blaise Pascal, Clermont-Ferrand, France

Professional Experience

Université Blaise Pascal, France

Université Paris-X Nanterre, France

Université Paris-XI (IUT de Sceaux), France

Université Paris-XII Créteil, France

The American University of Paris

l’Institut Catholique de Paris

U.S. Air Force Academy

Honors & Awards

Outstanding Academy Educator, Department of English and Fine Arts, U.S. Air Force Academy

Heiser Award, U.S. Air Force Academy

Research and Scholarly Interests

Shakespeare and Renaissance studies

Honors Curricula

Publications

“The Phenomena of Encounter in the Theater of War: Brian Turner’s Here, Bullet.” Rocky Mountain Review 69.2 (Fall 2015).

“Reading Robert Graves’s “Recalling War”: Averting Future Conflict by Memorializing War.” Albeit 2.1 (Fall 2015). Web.

“Expressing the Human Experience through Nature in Shakespeare: Analogy, Parable, and Parabola.” Appositions 9 (Fall 2015).

“Want of Speech in Richard II.” The Explicator 71.2 (2013): 127-130.

“Remembering Daniel Pearl: or, West vs. West.” War, Literature and the Arts 24 (2012): online edition.

“Literature, Identity, and Officership.” Military Culture and Education. Farnham, Surrey, UK: Ashgate (2010): 91-104.

“’Too Sexy for a Veil’: A Commentary of Azadeh Moaveni’s Lipstick Jihad.” War, Literature and the Arts: An International Journal of the Humanities 21.1/2 (2009): 341-351.

“Thomas Otway’s Soldiers and the Discourse of Exile.” Exils, migrations, créations Vol. 2. Université Paris XII Val de Marne, 2007, 127-38.

“Musique, masque et Shakespeare: une symbiose parfaite.” [“Music, Masque, and Shakespeare : a Perfect Symbiosis.”] Musique et Théâtralité. Université de Metz, 2004, 49-60.

“Dryden and Purcell’s King Arthur and the Myth of the Golden Age.” La Revue LISA 6.2 (2008).

“Audience Approval: The Role of Opera in the Creation of the Shakespearean Myth during the English Restoration.” La Revue LISA 2.3 (2004).

“Shakespeare et le théâtre dans le théâtre.” [“Shakespeare and the play within the play.”] Cahiers de l’équipe de Recherches sur la Réforme et la contre-Réforme (CERHAC), Université Blaise Pascal, n° spécial, 3e trimestre 1998, 39-49.