|War, Literature & the Arts: An International Journal of the Humanities|
WLA is witness to the power of word and image and for the human craving for meaning. And if one of the functions of art is to disturb the status quo, to force us to view the world anew, to consider our capacities to build or tear down, then we welcome those disturbances. We would, however, be dismissive of the complexity of the subject WLA seeks to explore, if we did not remind ourselves of John Stuart Mill’s notion that war, although an ugly thing, is not the ugliest of things. More spurious, Mill instructs, is the person who is unwilling to fight for anything larger than his or her own personal safety.
Started in 1990, WLA strives to include voices from many perspectives. We sense that Tim O’Brien hits the mark when he writes in “How to Tell a True War Story”:
War is hell, but that’s not the half of it, because war is also mystery and terror and adventure and courage and discovery and holiness and pity and despair and longing and love. War is nasty; war is fun. War is thrilling; war is drudgery. War makes you a man; war makes you dead.
You can tell a true war story if it embarrasses you. If you don’t care for obscenity, you don’t care for the truth; if you don’t care for the truth, watch how you vote. Send guys to war, they come home talking dirty.
Aristotle’s notion that History accretes, but only Poetry unifies is a notion we subscribe to. Art grants access to a larger world, allows us to live other lives, allows us to examine the quality and meaning of our own lives. Whose very earliest recollections do not include the request, Tell me a Story? The human race needs stories. We need all the experience we can get. Before we made fire, before we made tools, before we made weapons, we made images. Art, at its deepest level, is about preserving the world.
War, Literature & the Arts is published online at http://wlajournal.com.